e_delmar: (give me wide open spaces)
There's a trail of smoke lifting up through the late night (okay, early morning) darkness from where Ennis' sitting down by the lake.

The bar, and hell, even his room, seems a bit too crowded, and he just can't get used to so many fuckin' people being around. But out here, at this hour, it's quiet, at least, and if he looks up at the stars, it could be any damn sky.
e_delmar: (Default)
It's the wind on your face, the sun on the back of your neck. The way the birds call in the morning, and the animals that howl in the night. It's all of those and none of them, and most of the time, even Ennis doesn't know what he is.

What he knows is this: Jack is happy, and Sallie is happy. Well, happy enough, at the very least.

An ounce of peace is all I want for you

He don't deserve that -- he don't deserve this. He don't deserve much've anything, to be honest.

There's a knife-bright gleam of tawny gold that dances on the edge of it all -- but is it what he wants?

Sallie 'n Jack, though -- they deserve more'n what they got. But they got each other, and that is, as Ennis' ma woulda said, a blessing.

It isn't easy, leaving it all behind -- not really. There's that old saying of it having better to have loved and lost...

But Desire thinks that's a load of bull, quite frankly.

That gleam starts to take a shape, a shadow vaguely shaped like a black Stetson slanted down over that flash of gold.

There's a knife's edge of a smirk beneath the growing shapes.

Ennis ignores the image; there's so much you learn to ignore here, in this place.

There's so much more that's important; feeling, knowing, being. Sallie's laughter, beating those nosy you-know-whats at their own game. The way Jack squints against the afternoon sun when he's out with the horses.

Ennis squints now against the gleam, and tries to see what it might be.


That gleam?

Shiny.

Fancy that.

But trying to see is wanting to see, and wanting is this particular Endless' specialty... So Ennis sees. And there's Desire, near nose-to-nose with the former cowpoke, a black hat settled on his head with the brim pointing skyward, cigarette hanging loose from his smirk while he lights it from that shiny gold lighter in hand.

"Evening, Ennis," Desire says with a wink, and suddenly it is -- dark as nights on Brokeback but nowhere near as cold.

"Evenin'," is the response, 'cause it don't do Ennis no good to not respond, not here, not now. His own hat, it was gone, now it's not, leans down over his forehead like it's got an idea or two of its own, and before Ennis can even think about it, there's a cigarette, and the smoke filling his lungs. He coughs once, twice.

He leans back -- against a tree, if there were one -- and shrugs into his position, like it's automatic.

"Wouldn't expect to see you here," he laughs, like it's a joke.

Desire laughs as well, since it is a joke, some ways: Those gold eyes sparkle merrily in the dark, lit by a long draw on his cigarette. "Nope. I imagine you figured I was done with you, right?"

the truth is it's the other way around -- we're just dolls

He breathes a long plume of smoke that dissipates in the night, the world becoming real as the stars appearing like pinpricks in the night, or the crunch of long grass shifting minutely under those sitting on it, crunching beneath the weight of hands and clothed bodies. "Don't think you're really as ready as you think, Ennis."

Breathe.
The night feels cool, the air promising the faint damp of fields and no cities.

"I think there are still some things you want."

The response is nothing but another shrug, a quiet exhalation.

"Ain't nothing much I need 'round these parts."

"Imagine not." Ennis is spared a glance with those gold eyes, and then Desire looks down the slope, ash falling away from the end of his cigarette with a deep amber glow -- before the still-hot ember can touch the grasses, the scenery's already clearing before them.

They're standing almost shoulder to shoulder on the wrong side of a high fence, Desire leaning against it and one boot hooked over the low rail: It's still night, the stars overhead worlds away from the familiar skies of Wyoming, a familiar farmhouse slouching across the dirt ahead.

The light from the stars above is cold as the cigarette Desire crushes on the ground, leaving only the farmhouse's warm glow to guide their sight.

"Ain't much they need, neither," Ennis says, though that's a lie, and that lie is more like something floating in the air between them. "No reason for you to be here."

Nor any reason for Ennis, but that's not something he feels the need to mention.

"Tch. It's not just about need, Ennis." Desire flashes Ennis one of his sneaky, sharp grins, lighting up a fresh cigarette. "Sometimes, it's just about want."

A silhouette appears in the window, back-lit and impossible to truly see -- but the person casting the shadow is taller, more spry, more masculine than Sallie Reynolds, and there's little doubt who it could be -- Not with Desire standing at Ennis's side. The shadow stands at the window a long moment, just looking out -- and even amongst all that warmth and light, the gent in the window looks out into the cold night.

It could just be the Endless' doing, but the feeling of longing, of loss is as tangible as the taste of ozone in a coming storm.

Over all, there is the scent of summer peaches.

The silhouette raises his hand to touch the glass as the scene shifts again, the farmhouse on Shadow drifting away like sand on the wind.




When the Hi-Top folded they moved to a small apartment in Riverton up over a laundry. Ennis got on the highway crew, tolerating it but working weekends at the Rafter B in exchange for keeping his horses out there. The second girl was born and Alma wanted to stay in town near the clinic because the child had an asthmatic wheeze.

"Ennis, please, no more damn lonesome ranches for us," she said, sitting on his lap, wrapping her thin, freckled arms around him. "Let's get a place here in town?"*

But Ennis just shook his head, and shook Alma off his lap, muttering something 'bout wide open spaces and animals, and next he knew he was looking for a room at a nearby farm where he could work weekends to pay the rent. It weren't that he didn't love Alma and the girls, but he just couldn't stand being cooped up in that apartment, with the smell of laundry in the air and people all around.

The smell of horse shit was Ennis' idea of home, but sometimes in the mid-afternoon sun, sweat beading on his forehead, he'd get the idea that somewhere off in the distance, he could smell the sickly-sweet scent of peaches.






*above text directly lifted from Brokeback Mountain by Annie Proulx, whose writing I'll never be able to live up to.
e_delmar: (Default)
You'd think that it'd get old, just being.


Being there, being somewhere, maybe not here or there, but being. It ain't old for Ennis, though, no way no how, and if ghosts can smile, there's one smiling as a craggy old man watches a grumpy old lady muttering under her breath while she does chores out in the cold.
e_delmar: (Default)
It gets cold, sometimes. And that would surprise Ennis if anything could, but seems there ain't much surprising anymore. Sometimes, though, he sits down and things about things that're warm. It don't help much, but it passes the time. Beds'n'blankets and people, too.

And when those days and nights and things that can't be called neither get long and lonely, sometimes he thinks about layin' there in that bed of Sallie's, and it's 'bout like he can feel it.
e_delmar: (shirts)
It ain't like Ennis Del Mar had a lot of possessions to be doin' away with, in Milliways or in Wyoming. Junior's got her share, he didn't take a lot with him. But he's still got some stuff Jack might be left t'deal with. Back in that cupboard in a corner of his room in Shadow, there's a note in the neat and proper handwriting of the caretaker.


Jack,

it says.




Jack,

Ennis would appreciate it if you'd disperse his belongings as such:

His woolen blanket it so go to River, and his hat -- he tried to describe it, but I fear he may have been hallucinating, as he said something about sparkles and it being frightening -- to Kaylee. His carving knife is to go to the young girl Beverly, who visited him, and he wishes to send his apologies to Missus Reynolds, as well as his thanks. There's also a pair of dirty shirts in the drawer that he's insisting on leaving, though if you let me know, I can have them disposed of.

Please do let me know if I can be of any further service. I am sorry for your loss.




It's all there under the note -- well, the hat's beside it, if you want to get technical like -- the knife, the blanket and them two old shirts, one denim one tucked right up inside the other. And when Jack sorts through it, could be somethin' falls out of them old shirts. A postcard, a postcard of that damn mountain. On the back, in Ennis' strong, if messy, handwriting, I swear.







and a few inches under that, in labored script, I'm sorry.
e_delmar: (disgusted)
Ennis screams.

He screams and throws things and punches people.






Only he don't do any of that, does he? He can't.
e_delmar: (Default)
Ain't like much changes in here.

Walls don't change.

Pictures don't change.

Man in the bed, grumbling and grumping don't change.

Just the days change.
e_delmar: (give me wide open spaces)
It ain't easy, carryin' a man that big outside, when he ain't much for letting you help him.

He wouldn't say they carried. Helped, maybe. Not carried.

Helped or carried or what have you, Ennis is now outside, propped up against a tree, that old woolen blanket wrapped around him.

Maybe it's that the sun's out and shining bright, maybe it's that he can see Jack from where he sits. Maybe it's just that he's happy. But that brooding pout that's been haunting his face for more'n a few weeks is replaced by something ... not quite so brooding.
e_delmar: (don't fuck with a cowboy)
It's nice out.


It's real nice out.


If he can see anything, Ennis can see that from his room.


Means he's something of kind of stir crazy (when he ain't doped to the gills), but can you blame him?


God help the person who tries to cheer him up today.
e_delmar: (Default)
Ain't nothin' but a normal room. Pretty one, too, if'n you don't think too hard on what's goin' on in there. Ennis' sleeping more now, at least -- the drugs help with that -- but he's still awake a lot (and damn grumpy about it, too. But he ain't no less grumpy about the sleep, neither).

But he's there, and at least that's something.
e_delmar: (pout)
Ennis Del Mar's been a stubborn bastard from the day he was born, and he'll be a stubborn old bastard until the day he dies. Maybe longer. Which'd be why, once things'd calmed down with Sallie and all, he went stormin' out of the house, intent on takin' a walk on his own for once.

It's slow going, ain't no doubt about that, and he can't help his foot draggin' a little that way it does when he's gettin' tired.

click, woooosh



click, woooosh



click, wooo-



There's a clinking sound as his foot hits something metal and small, a can. And maybe he can't help smilin', neither, as he picks it up and sets it on a fencepost off in a quiet corner.
e_delmar: (carving a future)
Ennis ain't never been one for reading, like Kaylee does. And even if his hands weren't a mess, knitting still wouldn't be his thing. But he's got some wood, and he's got a knife. And even if the damn thing'll end up looking like a shaved log, carving gives him something to do, and the lounge is at least a small change of view from the bunks.
e_delmar: (jack - sing a little song)
It ain't like being in Wyoming.



But then, nothin' is, and Ennis don't quite know why he thought it would be. Mountains, yeah. But if he don't think too hard on the shuttle, or how they got here, or the fact that there's two more moons than there should be, it's close enough.

The air's crisp enough, and the mountain's're high enough and there's that feelin' in the air like it's about to snow and it's close enough.

And maybe Ennis leans against Jack, or Jack leans against Ennis, and maybe it don't really matter in the end who leaned against who because then they're leanin' against each other. And maybe they do something, or maybe they don't, or maybe they can't, but it's close enough.

And they'll have to leave, eventually. Go back to the ship, back to the people. Back. But for now, they've got each other, and they've got the mountains. And it ain't Wyoming, but maybe it's close enough.
e_delmar: (Default)
Shit.



Shitshitshit.



This was not supposed to be how this went. Ennis squints his eyes against the bright light, and when he tries to open his mouth (even if "shit" ain't the most elo- eli- bestest thing to say first thing to a stranger) all that comes out is a croak.
e_delmar: (onna couch)
Those couches in the lounge? They're gettin' an awful lot of business from the back end of Ennis Del Mar. He'd be spending the time in bed, but starin' up at that ceiling gets old after a while.




So instead, he's starin' up at this ceiling. The carving in his hands ain't goin' too bad, considering he ain't looking while he works.
e_delmar: (bored now)
It ain't like Ennis meant to spend a good chunk o' time on this trip sleepin'. But when something like that happens, there ain't really much you can do about it, is there?

Explains why he's gone pokin' around.


'course, doesn't explain that lost and confused look on his face, or the white knuckle grip he's got on the nearest ... anything he can grab on to.
e_delmar: (in control)
When you been working with animals all your life, seems wrong not to.


Seems...




well. Ennis ain't out of it yet, and some pain ain't gonna keep him from the paddock. Slow him down, maybe, and could be why he's restin' against the fence instead of giving Tequila a work through, but he's out there.




And that's something.
e_delmar: (Default)
Morphine is nice, but it ain't always enough.



Ennis was riled as shit when they bundled him up and dragged him in here. Pneumonia and some other shit and he ain't takin' care of himself, like he needs somebody with a degree to tell him that. And Junior cried and he went, makin' sure everybody knew just how he felt about it, too.



And then there was morphine.



It's enough that he apologized to Junior, sorry sorry over and over again, but it ain't enough to make them things with tubes any less strange.

It's enough that he can sleep some, at least, but it ain't enough to take away the pain.

It's enough that he goes on at the mouth a little too much 'bout things he ain't supposed to say, but it ain't enough to hide the doctors talkin' about how he's hallucinatin' and the nurses' laughs at his little friend.


When it all comes down to it, it ain't never gonna be enough.
e_delmar: (whut)
What with one thing and another, it's late when Ennis gets back. Late enough it's closer to when the sun rises than when it set. And Ennis-


well, Ennis reeks like cigarettes and booze and sweat and women and he's nearly stumblin' on his feet.


No shape to be goin' back to Junior, at any rate. So instead, he stumbles along the hallways and has to bang on the door a few times before he can get it open. There's a loud scraping of a chair across the floor, and a drunken "shhhhhhhhhh" from Ennis as he swings the door shut.
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