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It's nice on Shadow, quiet. Work's good, even if he ain't sleeping much.
But not sleeping's better'n what happens when he sleeps.
He don't need anything more'n what he's got there, but sometimes when he stares at the ceiling - or the night sky - he can't help but think about a thing or two left behind that maybe he don't want got rid of.
So it could be that it's late one night (on Shadow, anyway, who ever knows how times match up) Ennis sneaks into the bar, headed back towards his (their) room.
He's quick, and he's quiet, but could be you could catch him.
But not sleeping's better'n what happens when he sleeps.
He don't need anything more'n what he's got there, but sometimes when he stares at the ceiling - or the night sky - he can't help but think about a thing or two left behind that maybe he don't want got rid of.
So it could be that it's late one night (on Shadow, anyway, who ever knows how times match up) Ennis sneaks into the bar, headed back towards his (their) room.
He's quick, and he's quiet, but could be you could catch him.
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And then -- nearly silent footsteps, and the whisper of coattails against skirts, getting nearer.
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She doesn't say anything. Just reaches out -- slowly -- as if to touch his shoulder with her fingertips.
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"I'm sorry," she whispers, after a minute.
It sounds more like apology than sympathy; maybe it's both.
The apology might not be for touching him, though.
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"Okay," she says softly and miserably to the empty air above him, starting to turn away. "Inherent in the brickwork."
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She doesn't look nineteen right now, let alone less. Her eyes shine with unshed tears, and her small young face is pale and drawn.
"I know."
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"I'm sorry."
And it might be to River, and it might be to Jack, and it might be to neither.
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And then -- moving slowly, as if Ennis is a wild horse that might startle at any moment -- she turns back.
Lifts her hand, hesitates, and then touches his arm. Very lightly.
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"Hurts." It's barely a breath. "I know it."
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She always has.
"Shhhhh." Like Simon to her; like herself to a frightened animal. She's rubbing his arm, slow and steady, and her own tears are spilling now, but they don't choke her voice. "Shhhhh."</font.
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But sometimes everything's all topsy-turvy anyway, and everything's too big and too much, and should and was and could be and even is (and isn't) don't matter so much as this, here, now:
A room, and the rough texture of wool blankets, and the salty choking taste of your own tears and someone's voice low and wordless. And the rest of the world outside.
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And if the darkness is to keep us apart
River curls her hand around his in silence, and tears fall onto the backs of their hands.
And if the daylight feels like it's a long way off
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